Skip to main content

DIY Transparent Color Slide Digitizer

I was recently given the task to digitize transparent slides from the 1960s. The color transparency slides posed an interesting problem. Conventional scanning was difficult because the slides are small and are designed to be back-lit by a projector. There are dedicated devices available that can scan film negatives, but they are expensive and difficult to find. The standard scanner that I had wasn’t sufficient for the task because it couldn’t resolve enough detail in such a small area (it was 1200 dots per inch maximum). 

I made a view on this process and uploaded it to Youtube:

You can find many of the items used here:
Kit.co product collection

I created a DIY digitizer with:

  • LED lamp to act as a backlight. The color of light from this lamp is close to daylight. I don’t know what color of light these slides are designed for, but this was my best bet.
  • Cardboard and tape for the slide holding structure and various simple tools to form that.
  • Two camera flash diffusers to even out the light coming from the LED lamp.
  • A DLSR camera at 14 mega-pixels, 100mm f2.8 macro lens, and sturdy tripod.
  • A simple table to hold the new cardboard device. 

The slides in question were mostly Kodak Kodachrome Color Transparency slides for use with a slide projector. Basically the way people shared media content in the past without computers, large LCD screens, and digital cameras. 

The main structure was a simple cardboard box cut in half. I used the interior flaps as a way to hold the primary flash diffuser in pace with the addition of some packing tape.


I added an additional piece of cardboard so that I could hold each slide in the same position to avoid a large amount of post-processing. There is a notch out of one side so the slides are easy to remove. In retrospect I think some tape around the edges where the slide is held in place would have made the fit more exacting (there was still some slight deviation in each slide, so I still had to straighten them individually.

Here you can see of the the slides and how the light flows through the slide itself. Sky allows the most light in and shadow the least. I’m curious as to how they made these things, so I might look into that in the future.

Once a set of slides was photographed, I edited them in Adobe Photoshop. That consisted of cropping the images back to their normal ratio, aligning them for straightness, and editing the images for color, contrast, and detail. I also did some minimal dust and scratch removal.

The final result seems good with images over 5 mega-pixels in size, which is sufficient for rather large prints.

Popular posts from this blog

Nikon Z5ii Announced and My Thoughts vs the Original Z5

The Nikon Z5ii was announced recently. I haven't actually used this new camera myself, so keep that in mind. This is going to be mostly me looking at the specs and comparing it to the original Nikon Z5, which I've been using for a few years now. Check out the full video on YouTube:   The original Nikon Z5 camera. Overall, the original Z5 isn't a bad camera. I've gotten it to a point where it works how I want it to and it's reliable for what I do.  My main use case is often anime and comic conventions, going there and taking photos of people in cosplay. I usually use the 40mm f/2 lens on the Z5, and it works well for that.  First-person view using the Nikon Z5 at an anime convention. Nikon Z5ii vs Z5: The Spec Sheet Comparison  Nikon has a handy comparison section on their Z5ii page, so let's break down some key differences based on that and my experience with the original. Nikon's website comparing the Z5ii and the original Z5 specifications. First up, the ...

EF-M Sigma 56mm vs. Viltrox 56mm

I was curious how the two native Canon EF-M 56mm f/1.4 lenses compared. Is one better in image quality or features than the other? At least right now there is a significant price difference between the two. Check out the embedded video to see how it goes!  Sigma and Viltrox 56mm lenses Check out the YouTube video here : Sigma 56mm f/1.4 DC DN Contemporary Lens for Canon EF-M: B&H: https://bhpho.to/3bNQUjk Amazon: https://amzn.to/3cC8pUb ebay: http://ebay.us/5Q3NxW Used on KEH: https://shrsl.com/2b947 Viltrox 56mm f/1.4 AF lens for Canon EF-M: Amazon: https://amzn.to/39sl5Pa B&H: https://bhpho.to/3nXMoF0 ebay: http://ebay.us/b4IRWE As an affiliate of these shops, I earn from qualifying purchases!  Here are the notes I wrote up while compiling data and deciding what I should mention in the video. Physical properties of the lens: The Sigma lens is shorter but thicker than the Viltrox.   Weight is 280g for the Sigma and 290g for the Viltrox. Sigma: 66.5mm x 59.5m...

Brightin Star 60mm f/2.8 2:1 Macro Lens Overview

In this article, I'm going to go over my experience using the Brightin Star 60mm f/2.8 2:1 macro lens. Brightin Star sent me this lens based on my collaboration terms . They had no say in the article or videos I've produced and have not previewed anything before publishing it.  The full video I produced about the lens: Build Quality The lens in hand. The Brightin Star 60mm f/2.8 lens feels solid. It features an all-metal casing, including a metal mount, which gives it a weighty feel in hand. This is a completely manual lens, meaning the aperture and focus are both mechanical. You won't get any electronic data transferred to your camera, which is generally fine for macro lenses since you'll typically be using manual focus anyway. However, not having any EXIF for aperture settings saved in the camera is something to consider.  The metal mount with no electrical contacts. The aperture ring is smooth with no clicks, which is useful for video situations. But for photography,...