Skip to main content

Hands on with the Pentax K-30

I was able to have a brief hands on with the new Pentax K-30 camera body at Camera Craft Inc. in Rockford, Illinois. EDIT, they closed down when the owner retired. 

My overall impressions:

The camera feels a lot more solid than I expected it to be. Of course, the casing is all plastic, but it has a solid feel to it. From what I can recall from the K-x and K-r, they feel cheap compared to the K-30 by a good margin.


The grip is probably one of the better ones to come out from Pentax. It isn’t as soft as the K-5, but is actually a bit better in fitting all of my fingers on the grip (instead of the pinky being off the camera. It still isn’t tall enough for my entire hand to be completely comfortable, but a bit better.

The design reminds me of the K-10/K-20 and I can’t say I like that. I think Pentax’s best design from the Digital age would be the K-7/K-5 as well as the *ist D. There are some embellishments that I think might have a little bit of function to them, but their primary purpose is form. The large flash pop-up mechanism for one. Besides that, I think they generally tried to add some nice little touches to the plastic to make things function better. The dimples and dots in some sections make griping and using the camera just a little bit easier. I good example would be the small ridges on the 4-way control buttons.


They made a few design sacrifices to keep costs down and to fit the middle/entry level target of the camera. The main control dial doesn’t have a lock on it like the K-5 and I suspect that is the case because it costs more to weather seal a dial with a button on the top of it. They didn’t include a few relatively standard ports like HDMI and a MIC port.


The camera seems fast, but I didn’t get much time to use it. I oddly enough don’t recall what the shutter sounded like, so it must not have been too loud.


It has peaking focus (yes, I like this a lot on the K-01, so I just had to mention it).
This camera is focused on being a camera. It, of course, has a feature-full video recording mode, but with the admission of HDMI port, MIC port, and a dedicated video record button, it is best suited to still photography. I think that’s actually admirable in this current DSLR climate. This camera is purpose built.


As you should already know, this cameras has weather sealing, so with a proper lens, you shouldn’t have to worry too much about using the camera in the rain. A great feature I’m glad that Pentax is expanding their lineup with. 


Oddly, Pentax has started with kits that include the non-weather resistant 18-55mm DA-L kit lens. They offer a kit with the DA 18-135mm WR lens, but that might be a bit expensive for some people. While I understand that offering the cheapest lens possible is good for some customers that don’t have a desire to pay more for WR, I just don’t understand why they are not offering the weather resistant version of the 18-55mm in a kit too. 

I didn’t get a chance to test out the camera performance wise, but my general impressions are positive. It seems like a good camera for a multitude of different types of photographers. The starting price of $850 seems like a decent deal, but I think around $879 with a DA 18-55mm WR would have been a more appealing price and a more convincing package. 

Without a true entry level camera at the moment, Pentax might be hard pressed wooing the large majority of basic buyers that they should spend hundreds of dollars extra over the $600 – $700 entry cameras. They won’t necessarily understand that having two control wheels and weather resistance are worthwhile features. Chances are they will see the omissions first.

For me personally, I don’t have a need for this camera as the K-01 and K-5 fill the shoes without any room for a K-30. However, take the incremental improvements and add that to a K-5 or higher level camera and now we are talking (minus my inability to afford such a camera currently). I’m sure that type of camera is next on the agenda, or maybe we will see a direct K-r replacement first. 


Popular posts from this blog

First look at the Sigma 18-50mm F/2.8 for Sony E-mount bought from KEH

I've use a Sony Alpha A6000 and the PZ 16–50mm F/3.5–5.6 OSS kit lens with my computer as a webcam for a long time now. It's a lower cost option that has been very consistent outputting 1080p at 30 FPS to a USB based HDMI capture device. The kit lens is generally fine, but it has a few quirks. The biggest issue is that throughout the zoom range the maximum aperture value is not fixed. This introduces technical challenges when I want to show detailed views of product or similar use cases. There are also other considerations I'll talk about later in this article. So I decided to buy the Sigma 18-50mm F2.8 DC DN | C lens in E-mount as a replacement.  Links in this article are a mix of paid and through my affiliates. I earn from each in different ways. One is a flat fee and the others I earn from qualifying purchases. Considering them for your purchasing needs helps make the creation of this information viable!   I made a video unboxing the lens and trying it out with Open Br

Camera Gear Reviews and Marketing Issues Exposed

A great overview by Gerald Undone on his experiences in the field of camera gear related videos! It is an important topic. The more open the better, I’d say. After over 13 years making photography and videography gear videos, I’ve not had a huge amount of success comparatively, but I’ve also never been especially brand safe to begin with for these companies to consider me. 🤣 I think his mentions toward the end of the video are especially important. The unwritten pressure, or worse with companies like Insta360 , shouldn’t be acceptable and should be publicly called out more often. That’s probably the only way things will actually change for the better. I created a video detailing my opinion on the topic further: More of my comments on the video… His YouTube channel. 4:30 I understand that’s what Gerald does, but are there situations where companies are paying for flights and hotel costs of other reviewers with the expectation of a video/article being produced? (EDIT: I’ve seen confirm

Guidelines I follow when doing cosplay and convention photography

Here’s a video talking about photography at Anime Central 2023. Midway through the video I talk about guidelines I follow and suggest that people wanting to do photography at conventions also follow. This applies to attendees with smartphones as well as general photographers unfamiliar with convention photography. I’d hope that convention and cosplay photographers already keep these considerations in mind! Photography at Anime Central Pretty simple, but a good way to have fewer issues and not accidently make the convention a bad experience for others. https://youtu.be/n_3U2ofvwlE In my vertical YouTube Short I condense the video so it’s focused on the guidelines aspect. Ask for a photo. Avoid taking candid photos. I often motion with my camera and they give me a nod or whatever which works too. Don’t ask for a photo when cosplayers are eating, on the phone, or clearly in a rush. I also tend to not ask when they appear to be in a serious conversation with someone. If there is a big grou