A great overview by Gerald Undone on his experiences in the field of camera gear related videos! It is an important topic. The more open the better, I’d say.
After over 13 years making photography and videography gear videos, I’ve not had a huge amount of success comparatively, but I’ve also never been especially brand safe to begin with for these companies to consider me. 🤣 I think his mentions toward the end of the video are especially important. The unwritten pressure, or worse with companies like Insta360, shouldn’t be acceptable and should be publicly called out more often. That’s probably the only way things will actually change for the better.
4:30 I understand that’s what Gerald does, but are there situations where companies are paying for flights and hotel costs of other reviewers with the expectation of a video/article being produced? (EDIT: I’ve seen confirmation that companies pay for the flight and hotel in some instances, though there might not be an actual agreement that a video will be produced in return. But it goes back to the idea of unsaid pressure from brands).
I would like to see more disclosures. The same for long term gear loans which basically mean returning the gear once it is irrelevant. I’ve never understood the perceived harm from prominently disclosing these things directly in the video. Why would the viewer understanding the situation be scary? The goal is to provide information to them.
I enjoy the press trip videos as entertainment, but I’d prefer to watch videos where someone is sent loaner gear. I’d get more value out of that too. Loaner gear is good and should be more accessible to video creators as long as companies don’t play the same who gets what games they appear to do when reviewers mention flaws they find in their equipment. According to Gerald and Lee Zavitz, Sony is one of the more reasonable brands here.
I’d honestly be fine with video creators receiving money for production costs as long as it is disclosed and that money is shown to be used in the video for rentals and other expenses. Giving video creators resources isn’t a bad thing when it can be used to demonstrate what a piece of equipment can do. That said, it needs to be prominently disclosed in those cases so viewers understand it’s a feature/overview and not a review.
I also find these press trips an odd arrangement because the value of the flight/hotel seems like it would be taxable, at least in the USA, if there is expectation of a video/article being produced in return. That’s the case when “free” product is sent to me when it isn’t a loaner piece of gear that needs to be returned. I’m financially in the hole when I produce feature/overview type videos like that. My terms I send companies more often than not end up in me being ghosted. Too many people are willing to sacrifice control of what is said and shown in videos.
Camera companies should be open to and offer more people of various audience sizes loaner equipment. I think that would be more effective for both sides than one big initial marketing push these embargo videos seemingly provide. I often don’t even take notice of when the gear is actually purchasable in the meantime. The more people that get access to the gear the better. Viewers would benefit and more video based reviewers would too.
13:00 The marketing sides of companies are comically out of touch a lot of the time. Especially bad when they appear to have some say in features that cameras receive. That Lumix marketing preapproved title thing they asked of Gerald is crazy. They don’t understand YouTubers need to have click-able titles and they don’t understand it’s not going to hurt a viewer’s potential interest in their products. Not to mention it’s ethically wrong for the brand to ask for that.
You’d think companies could focus more on producing a really good well-rounded product instead of trying to tippy toe around with marketing as their extreme risk adverse shield. If it’s a good piece of equipment then that will show in videos. Let the potential customer decide by providing as much information as possible, both good and bad from the video creator’s perspective and opinion.
These marketing departments act like the end user won’t notice issues once they buy the thing of they aren’t told beforehand. The goal should be a happy customer, so punishing reviewers or trying to control public information is such an odd perspective that these companies appear to often have. I don’t get it. An informed customer would be less likely to return a product.
(Hey camera companies, please contact me if you are interested in offering loaner equipment! As long as you provide some type of accident insurance to me so that I’m not financially liable in cases of accidents/theft, then I’d be glad to take a look at most types and brands of equipment related to photography and videography. If you can’t provide insurances about accidents then I might be open to your moderately valued equipment on loan as I’d be able to cover the cost of accidents in those cases. The email address is “info” at this website’s domain name)
The Nikon Z5ii was announced recently. I haven't actually used this new camera myself, so keep that in mind. This is going to be mostly me looking at the specs and comparing it to the original Nikon Z5, which I've been using for a few years now. Check out the full video on YouTube: The original Nikon Z5 camera. Overall, the original Z5 isn't a bad camera. I've gotten it to a point where it works how I want it to and it's reliable for what I do. My main use case is often anime and comic conventions, going there and taking photos of people in cosplay. I usually use the 40mm f/2 lens on the Z5, and it works well for that. First-person view using the Nikon Z5 at an anime convention. Nikon Z5ii vs Z5: The Spec Sheet Comparison Nikon has a handy comparison section on their Z5ii page, so let's break down some key differences based on that and my experience with the original. Nikon's website comparing the Z5ii and the original Z5 specifications. First up, the ...
In this overview, I'm taking a look at the 7Artisans 50mm f/1.8 lens for the Nikon Z system. Is it worth considering over the official Nikon Z 50mm f/1.8s lens? I also compare it with the Nikon Z 24-50mm f/4-6.3 kit lens at 50mm. Check out the full video on YouTube : 7Artisans sent me this lens to try out based on my collaboration terms . They had no say in the content produced and were not allowed to preview it. Build Quality & Handling 7Artisans and Nikon lens side-by-side. The 7Artisans 50mm f/1.8 is similar in size to Nikon's 50mm f/1.8s, although it's slightly taller and a bit thinner. Both lenses feature a manual/auto focus switch, but I found that the one on the 7Artisans lens requires less travel and is easier to push, which isn't ideal. You might accidentally switch modes while handling the lens. Something I found myself doing a couple of times on my photowalk. The AF/MF switch and aperture adjustment ring. The manual focus ring on the 7Artisans lens...
I was curious how the two native Canon EF-M 56mm f/1.4 lenses compared. Is one better in image quality or features than the other? At least right now there is a significant price difference between the two. Check out the embedded video to see how it goes! Sigma and Viltrox 56mm lenses Check out the YouTube video here : Sigma 56mm f/1.4 DC DN Contemporary Lens for Canon EF-M: B&H: https://bhpho.to/3bNQUjk Amazon: https://amzn.to/3cC8pUb ebay: http://ebay.us/5Q3NxW Used on KEH: https://shrsl.com/2b947 Viltrox 56mm f/1.4 AF lens for Canon EF-M: Amazon: https://amzn.to/39sl5Pa B&H: https://bhpho.to/3nXMoF0 ebay: http://ebay.us/b4IRWE As an affiliate of these shops, I earn from qualifying purchases! Here are the notes I wrote up while compiling data and deciding what I should mention in the video. Physical properties of the lens: The Sigma lens is shorter but thicker than the Viltrox. Weight is 280g for the Sigma and 290g for the Viltrox. Sigma: 66.5mm x 59.5m...